There are certain materials that already contain memory before becoming part of a painting.
Old musical scores, worn Japanese pages, fragmented texts, faded papers touched by time — these elements carry a quiet presence that fascinates me deeply.
In my contemporary abstract collage work, I do not use paper simply as decoration. I use it as a surface of memory, erosion, and silence.
Some pages come from antique Japanese books filled with mysterious symbols and delicate rhythms of typography. Others come from old musical scores whose notes seem to continue vibrating silently beneath the layers of paint and texture. These fragments become visual echoes hidden inside the composition.
I am drawn to what is partially erased, weathered, fragile, or incomplete.
The torn edges, faded inks, peeling surfaces, and irregular textures create a dialogue between destruction and reconstruction — between time and material.
Through layers of acrylic paint, matte medium, collage techniques, peeling effects, textured surfaces, and minimalist compositions, the paintings slowly evolve into contemporary mixed media artworks where silence becomes visible.
The red thread that occasionally appears in my work acts almost like a tension line crossing memory itself — a subtle connection between structure and emotion, geometry and fragility.
Barcelona, industrial surfaces, Japanese aesthetics, wabi-sabi philosophy, architecture, and urban erosion all influence this visual language. I often think of my paintings as fragments of weathered walls, silent manuscripts, or forgotten architectural surfaces transformed into contemporary abstract art.
What interests me most is not perfection, but atmosphere.
Not decoration, but emotional presence.
These textured abstract collages are created for collectors who are drawn to contemporary minimalism, architectural interiors, wabi-sabi aesthetics, and tactile mixed media art. The works combine Japanese-inspired collage, industrial abstraction, geometric balance, and layered textures designed to bring depth and quiet sophistication into modern interiors.
Collectors in Europe and the United States are increasingly searching for contemporary abstract paintings that feel authentic, material-driven, and emotionally resonant rather than purely decorative. My work exists precisely within that space — between fine art, texture, architecture, and poetic abstraction.
Each original artwork is created in my Barcelona studio using mixed media techniques including collage, acrylic painting, textured layering, peeling processes, Japanese paper integration, and handcrafted surface treatments.
Whether using fragments of musical notation or antique Japanese text, every piece becomes a meditation on memory, transformation, and the beauty of imperfection.
Because sometimes the quietest surfaces carry the deepest stories.
